The method used for creating these effects involved a technical version of an old art photography technique known as time-slice photography which i have researched however we would not be able to use this in our opening sequence as the technology is not available to us. A large number of cameras are placed around an object and triggered nearly simultaneously. Each camera is a still-picture camera, and not a motion picture camera, and it contributes just one frame to the video sequence. When the sequence of shots is viewed as in a movie, the viewer sees what are in effect two-dimensional "slices" of a three-dimensional moment. Watching such a "time slice" movie is similar to the real-life experience of walking around a something to see how it looks from different angles. The positioning of the still cameras can be varied along any smooth curve to produce a smooth looking camera motion in the finished clip, and the timing of each camera's firing may be delayed slightly, so that a motion scene can be watched (over a very short period of real time).
Some scenes in The Matrix feature a "time-slice" effect with completely frozen characters and objects. Film techniques improved the film and allowed for slow motion so it seemed as character movement was still in progress.
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